#writing writingtips

[s-soulwriter]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[coffeetank]

Ideas to Show Secret Pining

"Why don't you join me?"

"I'll give you a ride, don't worry."

*does something they don't like* "What? I like it."

*immense staring at every chance they get*

*thinking of their crush while listening to songs*

"You said you liked it so I brought it for you."

*finds ways to spend more time with them*

*friendly bullying intensifies*

"I'm looking forward to seeing you there."

"Are you gonna be there?"

"How about we sneak off, just you and me?"

"Why don't I cook for them? What's their favourite dish again?"

*aggressive google searches about how to propose to your crush*

"I'll join those dance lessons, maybe then she'll notice me."

*hopeless around them*

*failed flirting attempts*

*increased compliments*

"My problem is that I like them a little too much for my sanity."

*gets jealous* "So, are you seeing them or something?"

"Are you okay?" // "Completely okay!" (definitely not okay)

*tries to sabotage their crush's date*

*gets into trouble so they can be scolded by their crush*

"I want you to come with me, please?"

-ashlee

[thewriteadviceforwriters]

100 Vocabulary Words for Gothic Fiction | For Writers

Hello Writers! I've put together a list of 100 words to help you expand your vocabulary for writing gothic fiction in October. I categorized the words for easy reference. I did some research using thesauruses and dictionaries to compile this list for you. I hope you find it helpful! 👻🎃

Atmospheric Words

Tenebrous - dark and gloomy

Oppressive - overwhelming and unpleasantly powerful

Ominous - suggesting evil or harm is imminent

Eerie - strange and frightening

Uncanny - mysterious and unsettling

Nefarious - wicked or criminal

Malevolent - having evil intentions

Sinister - giving the impression of evil

Melancholy - deep sadness

Lugubrious - mournful or dismal

Sombre - dark and gloomy

Dreary - dull and depressing

Desolate - empty and lonely

Bleak - cold and depressing

Dank - unpleasantly damp and cold

Character Descriptions

Pallid - abnormally pale

Gaunt - thin and bony

Haggard - looking exhausted and unwell

Cadaverous - corpse-like

Wan - pale and sickly

Spectral - ghost-like

Enigmatic - mysterious and difficult to understand

Brooding - appearing darkly thoughtful

Tortured - suffering mentally or physically

Macabre - disturbing due to focus on death or injury

Architectural Features

Gothic - relating to medieval style architecture

Dilapidated - in a state of disrepair

Decrepit - worn out or ruined due to age

Crumbling - breaking into small fragments

Decaying - rotting or decomposing

Ramshackle - in a state of severe disrepair

Crypt - underground room or vault

Turret - small tower on a building

Parapet - low protective wall along the edge of a roof

Buttress - structure built against a wall for support

Supernatural Elements

Apparition - ghost or spirit

Phantasm - figment of the imagination

Specter - ghost or phantom

Wraith - ghost or spirit

Revenant - person who returns as a spirit after death

Ethereal - extremely delicate and light

Otherworldly - belonging to an imaginary or spiritual world

Paranormal - beyond normal explanation

Preternatural - beyond what is normal in nature

Occult - supernatural or magical

Emotions and States of Mind

Dread - great fear or apprehension

Foreboding - fearful apprehension

Trepidation - fear or anxiety about something that may happen

Anguish - severe mental or physical pain

Despair - complete loss of hope

Melancholia - deep and long-lasting sadness

Hysteria - exaggerated or uncontrollable emotion

Delirium - state of confusion and hallucination

Madness - state of severe mental illness

Obsession - persistent disturbing preoccupation with an idea or feeling

Gothic Settings

Moor - area of open, uncultivated upland

Wasteland - barren or desolate area

Labyrinth - complex maze-like structure

Catacomb - underground cemetery

Dungeon - dark underground prison

Mausoleum - building housing a tomb or tombs

Sepulcher - small room or monument where a dead person is laid

Necropolis - large cemetery, especially an ancient one

Citadel - fortress that commands a city

Monastery - building occupied by a community of monks

Weather and Natural Phenomena

Tempest - violent windy storm

Miasma - unpleasant or unhealthy smell or vapor

Fog - thick cloud of tiny water droplets

Mist - cloud of tiny water droplets in the air near ground level

Gloom - partial or total darkness

Twilight - soft glowing light from the sky when the sun is below the horizon

Umbra - the fully shaded inner region of a shadow

Penumbra - the partially shaded outer region of a shadow

Crepuscular - resembling twilight; dim

Tenebrous - dark, shadowy, or obscure

Literary Devices and Narrative Elements

Foreshadowing - warning or indication of a future event

Omen - event regarded as a portent of good or evil

Portent - sign or warning that a momentous or calamitous event is likely to happen

Harbinger - person or thing that announces or signals the approach of another

Presage - sign or warning that something will happen

Doppelganger - look-alike or double of a living person

Grotesque - comically or repulsively ugly or distorted

Gothic double - character representing the duality of human nature

Unreliable narrator - narrator whose credibility is compromised

Frame narrative - story within a story

Liminal Spaces and Concepts

Threshold - strip of wood or stone forming the bottom of a doorway

Liminal - occupying a position at, or on both sides of, a boundary or threshold

Betwixt - in between

Interstitial - of, forming, or occupying interstices (small spaces between things)

Twilight zone - undefined or intermediate area between two distinct states

Purgatory - place or state of temporary suffering or expiation

Netherworld - imaginary subterranean world of the dead

Abyss - deep or seemingly bottomless chasm

Void - completely empty space

Chthonic - concerning, belonging to, or inhabiting the underworld

Miscellaneous Gothic Terms

Sublime - of such excellence, grandeur, or beauty as to inspire awe

Ineffable - too great or extreme to be expressed or described in words

Eldritch - weird and sinister or ghostly

Atavistic - relating to or characterized by reversion to something ancient or ancestral

Numinous - having a strong religious or spiritual quality; indicating the presence of a divinity

Happy writing, and Happy October! 📜🕯️- Rin T.

[coffeebeanwriting]

Quick Tips on Writing Better Characters

Here are a handful of quick tips to writing stronger characters and understanding them better as a writer.

Give your characters a title. This can help with worldbuilding and placing your protagonist into the environment. What do others call your characters? The emperor, the bastard son, the Grinch, the chosen one, the class clown, the evil witch, the popular girl, etc.

Use your settings to enhance your character. You can use the locations of your novel to mirror or contrast your character. Do they blend in or stand out? What they focus on can say a lot about them (ex. a fearsome character mishearing things on a dark street, a princess in a ballroom only focused on the exit.)

Know your protagonist's motives and goals before you start writing. What is something they need that fuels their actions throughout the novel? Money, freedom, an artifact, food? To protect their sister at all costs and survive the Hunger Games? 

Now that you know their motive, make it more complex. A character's motive can be made more complex by putting them in high-stake situations that force them to make decisions. For example, Katniss wants to protect her sister, a very common motivation. However, present-day conflict makes her to do it in the most extreme way by volunteering in the Hunger Games. The plot forces her to make an extreme choice fueled by her motivation.

Your protagonist should be active. It's okay to have your story's events sometimes happen to your character (this is referred to as the character being passive, ex. a tornado sweeping them away) but your protagonist should be active a majority of the time. This means they should always be making decisions, thinking, reflecting and progressing through obstacles.

Instagram: coffeebeanwriting

[lovewash3d-doll]

❀Pretty Words to Describe Hair Color❀

.…………………………………………………………………………

Here are some of my favorite (and most used) hair color descriptions in my writing! Descriptions like “flaxen” or “chocolate hair” aren’t really my cup of tea and there are a lot of prettier & more unique alternatives!

Noirette (Black Hair):

Midnight (darkest black)

Jet-black (darkest black)

Inky (darkest black)

Black velvet (soft, dark black)

Raven (shiny black)

Umber (dark brown)

Brunette:

Mahogany (dark brown w/ red undertones)

Sorrel (dark brown)

Bronze (brunette with shades of gold)

Chesnut (medium brown w/ coppery undertones)

Sepia (medium brown)

Hazel (warm brown)

Fawn (light brown)

Champagne (bright, creamy light brown)

Blonde Hair:

Caramel (coppery, dark blonde)

Golden (bright blonde)

Dandelion-haired (bright blonde)

Honey (medium blonde w/ coppery undertones)

Strawberry Blonde (light blonde w/ ginger undertones)

Sandy (light, ashy blonde)

Moon-blonde (platinum blonde)

Pearly/Mother-of-Pearl (platinum blonde)

Silver (platinum blonde to white)

Ginger Hair:

Maroon (black-red)

Burgundy (pinkish-black)

Crimson (dark red)

Russet (brown with red/ginger undertones)

Copper (warm ginger & bronze)

Auburn (classic ginger)

Amber (bright orange with gold hues)

XOXO,

lovewashed doll ❀

[agronzky]

⠀⠀⠀𝐃𝐈𝐅𝐅𝐄𝐑𝐄𝐍𝐓 𝐎𝐔𝐓𝐈𝐍𝐆𝐒 & 𝐓𝐑𝐈𝐏𝐒 𝐓𝐎 𝐔𝐒𝐄 𝐈𝐍 𝐑𝐏. ♡

under the cut you'll find a list of 56 diverse outings and trips to use in starters or replies withing plots. this can be used to bring new cenarious to plots, starters and rps, helping to differ threads and put characters in new experiences.

Walking in nature

A bicycle ride

Visit to an art museum

Historical city tour

Boat trip on the river/lake

Mountain trail hike

Visit to a botanical garden

Picnic in the park

Bird watching

Gastronomic tour of the city

Hot air balloon ride

Cave exploration

Visit to a zoo or aquarium

Shopping itinerary in local stores

Winery tour

Panoramic train ride

Visit to historical sites

Trip to a neighboring city

Kayak/canoe trip

Tour of movie locations

Drive-in cinea

Walk on a beach

Visit local fairs and markets

Photo expedition

Horseback riding

Visit to an astronomical observatory

Urban art trail tour

Excursion to a theme park

Traditional cooking class

Helicopter ride

Camping trip

Visit to a cultural festival

Tour of haunted places

Surf lesson or other water sport

Motorcycle ride

Exploring historical ruins

Regional dance class

Treasure hunt tour

Tour of panoramic viewpoints

Rollerblading or skateboarding

Day at an amusement park

Visit to a nature reserve

Quad bike ride

Participation in a local marathon

Wildlife watching

Zip line ride

Tour of architectural monuments

Participation in a spiritual retreat

Sailing boat trip

Motorcycle ride

Visit to a contemporary art exhibition

[plotandelegy]

Crafting Future From Ruins: A Writer's Guide to Designing Post-Apocalyptic Technology

Photo: Standard License- Adobe Stock

Crafting post-apocalyptic tech involves blending creativity and realism. This is a guide to help you invent tech for your post-apocalyptic world:

Tinker, Tailor, Writer, Spy: Start with modern tech. Take it apart (conceptually or literally if you're feeling adventurous). Using the basics, think of how your character might put it back together with limited tools and resources.

Master the Fundamentals: Understand the basic principles underlying the tech you're working with. Physics, chemistry, and biology can be your best friends. This understanding can guide your character's resourceful innovations.

Embrace the Scrapyard: The world around you has potential tech components. Appliances, vehicles, infrastructure - how could these be deconstructed and repurposed? Your characters will need to use what's at hand.

Cherishing Old Wisdom: Pre-apocalypse books and manuals are the new internet. A character with access to this knowledge could become a vital asset in tech-building.

Indigo Everly

[monthlywritingchallenges]

#2 Cut the First Three Sentences ✂️

First drafts often begin with too much setup. To make your scenes more dynamic, try this:

1️⃣ Write your scene as usual.

2️⃣ Delete the first three sentences.

3️⃣ Read what’s left—it likely starts at a much stronger point.

💬 Why?

Most writers over-explain before getting to the actual scene.

A direct opening creates immediacy and intrigue.

💬 Example:

❌ Before:

"It was a cold morning. The streets were wet from the night’s rain, and the sky was gray. Anna shivered as she stepped out of the café."

✔️ After:

"Anna stepped out of the café, pulling her coat tighter. The cold air smelled like wet asphalt and wasted dreams."

More immersive, more effective.

[moon-delia]

★ ៸៸៸ FRIENDSHIP 1 ╱ post ❜ ✸ ៸ !?!

Good friendships can turn a decent story into a memorable one as, it not only does it make the reader care more about the story, it adds emotional weight to the story.

But there's one problem. Good relationships are difficult to write. You thought writing romance was difficult? Well, writing friendships is a whole new level of difficulty.

Romances normally rely on professions of love and staring into one's eyes for lengthy periods of time. But, how do you develop friendships?

# ៸ make each character their own person.

If a character's only purpose in the story is to act as "the friend", then it's guaranteed that they will be a flat and uninteresting character. This will lead to a friendship that no reader will be invested in.

Unfortunately, a lot of stories are like this ― you have your main character, and then their 1-dimensional friend who might crack a joke every once in a while. 

We have some good examples from movies like Samwise Gamgee from The Lord of the Rings. He isn't just "Frodo's friend" who tags along. He's a gardener and a cook. He has a fascination with elves, a crush on Rosie, and a bad habit of eavesdropping. He is loyal, brave, and can persevere even when there is seemingly no hope.

You see this is in Toy Story as well. Even though Woody and Buzz both have the same goal ― to escape Sid's house ― they both have different journeys. The story means different things to each of them. Woody learns to not be as selfish and Buzz struggles with accepting that he is just a toy.

# ៸ give them something in common.

Once you have fleshed out your characters, you need a reason for them to be friends. What brought them together? What gives them the reason to hang out? You need to give them similarities.

This can be a number of different things, like:

★ Status

★ Hobbies

★ Struggles

★ History

★ Background

★ Interests

★ Enemy

★ Goals

★ Dreams

# ៸ give them meaningful differences.

Once you've established their similarities, it's time to dig deeper and create their meaningful differences. Don't just make your characters different. Give them meaningful differences that can build off of each other.

With those differences, your characters can help support their strengths and build them up during their times of weakness. This can lead to a strong friendship.

Here are some great ways to give them differences:

# ៸ skills.

★ One of the friend can be smart in terms of intelligence while the other is good at using her hands and inventing stuff.

★ One might be good at coming up with plans, while the other might be good at improvising when the plan goes awry.

# ៸ conflict resolution.

★ If there is a bully bothering them, one might want to go and blow up at the bully, while the other chooses to ignore it.

★ If they are having an argument, one friend would want to talk it out maturely, while the other just likes to play devil's advocate and throw more heat into the argument.

# ៸ personality.

★ One is confident and sly while the other is shy and awkward.

★ A is cold and determined while B is relaxed and compassionate.

★ B is an easy-going pleasure seeker, and B is a serious planner.

# ៸ method of action.

★ Both friends are trying to break into a house. One will look up videos on YouTube about how to pick a lock. The other friend will just break the window with a rock.

★ The two friends are trying to persuade someone to do something. One friend uses bribing techniques, and the other friend uses a more passive-aggressive approach.

# ៸ reaction.

★ One friend with freak out and the other friend will stay calm.

★ A will get discouraged and want to give up, and B will encourage them to keep going.

★ One person is terrified out of their mind, while the other tries to stay positive.

[lia-life-lounge]

A Philosopher's Lexicon: Vocab that'll make you sound like an academic

Although curated by a philosophy major for philosophy, the following list of vocabulary is a great addition to any intellectual's written or spoken lexicon!

Verbs to Replace "Says" or "Thinks"

Asserts

Affirms

Argues

Contends

Expounds

Posits

Postulates

Delineates

Reiterates

Conjectures

Refutes

Disputes

Verbs to Replace "Shows" or "Explains"

Elucidates

Demonstrates

Validates

Substantiates

Corroborates

Vindicates

Exemplifies

Enumerates

(There's a bit of room for overlap between the "Says" or "Thinks" list and the "Shows" or "Explains" list).

Words to Describe Perspectives or Approaches

Holistic

Myopic

Dogmatic

Pragmatic

Empirical

Normative

Prescriptive

Descriptive

Reductionist

Relativistic

Utilitarian

Absolutist

Subjectivist

Objectivist

Positivist

Words to Describe Statements

Incontrovertible

Pertinent

Cogent

Nuanced

Dialectical

Syllogistic

Empirical

Normative

Didactic

Esoteric

Transitional Phrases

Moreover

Consequently

In contrast

Furthermore

As such

Henceforth

Therefore

In light of this

By the same token

To that end

Words for Critique, Analysis, or Inquiry

Scrutinizes

Deconstructs

Mitigates

Substantiates

Vindicates

Invoke

Inquiry

Interrogate

Delineate

Explicate

Reconcile

Synthesize

Undermine

Engage

Evoke

Scrutiny

Descriptive Words for Ideas or Concepts

Paradigm

Construct

Framework

Epistemology

Ontology

Teleology

Dialectic

Axiom

Maxim

Tenet

Doctrine

Dogma

Words for Nuanced Argumentation

Corollary

Inference

Premise

Deduction

Induction

Syllogism

Refutation

Rebuttal

Concession

Adjudication

Exposition

Elucidation

Conjecture

Remember, the key is not just to use these words, but to understand them fully so you can wield them effectively. Context is king; make sure the word or phrase fits seamlessly into your argument.

_________

Imagine trying to cram all those words into just a couple of paragraphs... not saying you should do it, but it might be a fun challenge, no?

If you're interested in more academic writing tips, feel free to explore the #AcademicWriting and #WritingTips tags on my blog. To distinguish between my original content and reblogs, you can filter the tags #LiaLifeLounge and #LiaReblogs, respectively.

Have fun writing! ✨

[cosmicawg]

𝟐𝟎). 𝐖𝐚𝐲𝐬: 𝐖𝐫𝐢𝐭𝐢𝐧𝐠 𝐀𝐰𝐤𝐰𝐚𝐫𝐝/𝐔𝐧𝐜𝐨𝐦𝐟𝐨𝐭𝐚𝐛𝐥𝐞 𝐦𝐨𝐦𝐦𝐞𝐧𝐭𝐬

To anyone seeing this, hi! You can go ahead and reblog with your own tips on this; or just comment! Am an awkward person by nature; so these come naturally to me (bad or good thing? eh, who knows.)

1. Mistimed Compliments

A character tries to give a compliment but it comes out completely wrong, leaving the other person confused or offended. Example: "Your hair looks... better than usual."

2. Socially Unaware Responses

A character doesn’t pick up on obvious social cues and keeps talking or doing something when they should stop. Example: Continuing to tell a long, boring story (like no one wants to hear about your birdwatching sessions, Randy, god!)

3. Unintentional Insults

A character accidentally insults someone by mentioning something personal without realizing it. Example: Complimenting someone’s outfit, then adding “It’s much nicer than the last one you wore.”

4. Poorly Timed Jokes

The character makes a joke in a serious moment, only to be met with silence or awkward stares. Example: Cracking a joke at a funeral or during a heartfelt confession.

5. Physical Clumsiness

Characters tripping, bumping into things, or knocking over a drink while trying to act cool or confident. Example: Walking into a room full of people only to trip on the door frame.

6. Talking Over Someone

Two characters start talking at the same time, both trying to politely yield, and ending up in an awkward back-and-forth. Example: “Oh, sorry, you go—no, no, you first—um, okay—wait, sorry…”

7. Silent Pauses

Long, uncomfortable pauses in conversation where no one knows what to say next. Example: After revealing a huge secret, and no one responds, just complete silence. "....so what? don't just ignore me guys!"

8. Accidental Spills

A character accidentally spills something on someone in an important or formal setting. Example: Nervously fumbling with a glass of wine and spilling it all over someone’s fancy outfit at a party.

9. Misread Signals

A character misinterprets someone’s body language or signals, leading to an awkward encounter. Example: Going in for a hug when the other person was just reaching for something. (this has to be feared more than death itself, change my mind.)

10. Unwanted Physical Contact

The character gives an overenthusiastic handshake, hug, or pat on the back that clearly makes the other person uncomfortable. Example: A lingering handshake that lasts way too long, or a hug that becomes stiff and awkward.

11. Inappropriate Laughter

The character laughs at the wrong moment, only to realize that no one else finds it funny. Example: Laughing during a serious discussion or an emotional outburst. (THIS IS SO ME AM SORRY...not really)

12. Misunderstanding Conversations

Mishearing someone’s question or comment and replying with something completely unrelated. Example: "Hey, how's your day going?" "I'm listening to, Anaconda, by Nicki Minaj!"

13. Revealing Too Much

Oversharing personal or embarrassing information during small talk or casual conversation. Example: “Yeah, I had this weird rash last week, I swear thought it was like, ass cancer or something... but anyway, how’s your day going?”

14. Unwelcome Compliments

Giving a compliment that makes the other person feel awkward instead of flattered. Example: “You look so much better without makeup!”

15. Embarrassing Confessions

A character accidentally confesses to something embarrassing, thinking it was common knowledge. Example: “Oh, wait, you didn’t know I still wet the bed... uh, never mind.”

16. Interrupting at the Wrong Moment

A character walks into a room at exactly the wrong time, overhearing or interrupting something sensitive or intimate. Example: Walking in during a personal conversation and saying, “So, what are we talking about?”

17. Flubbed Introductions

A character completely forgets someone’s name or introduces two people incorrectly. Example: “This is, uh... sorry, what’s your name again?”

18. Unexpected Silence After a Comment

The character makes a bold statement or question, only to be met with an uncomfortable silence. Example: Asking if someone is pregnant, only to find out they’re not.

19. Forgetting Basic Social Norms

The character forgets to do something basic, like shaking hands, making eye contact, or saying “thank you,” leaving an awkward atmosphere. Example: Reaching out for a handshake and being left hanging.

20. Accidental Eavesdropping

The character overhears something personal or uncomfortable but doesn’t know how to politely excuse themselves. Example: Being stuck in a hallway overhearing an argument but can’t leave without being noticed.

[s-soulwriter]

"Being an AI writer is fucking sad"

You know who I really feel sorry for? People who use AI to write their books.

Writing isn’t just about throwing words on a page, it’s about the struggle, the craft, the late nights staring at a blinking cursor, the thrill of finding the perfect sentence, the frustration of edits that feel endless but make the story stronger. It’s about putting a piece of yourself into something real. AI can’t do that. AI doesn’t have passion, it doesn’t have a voice, it doesn’t pour its heart into a story and hope someone out there understands. And even if you only use a part of it to write your story, just a few words, just a few ideas, just a few small things, it destroys everything that made writing what it was, because the most important thing is the humanity.

If you’re letting a machine do the work for you, you’re not an author, you’re just a bystander. And honestly? That’s kind of sad.

[coffeetank]

Dialogues to Kick-start your Chapter/Writer's Block

"Excuse me?"

"Why?"

"Where?"

"How?"

"When?"

"What?"

"No."

"Yes."

"Hell no."

"Hell yes!"

"Fuck off!"

"Fuck me!"

"In what world!"

"Which time?"

"Are you sure?"

"I don't think so."

"Not really,"

"Maybe, if you think about it—"

"What the fuck."

"Okay, catch this (insert ridiculous proposition)"

"So, I'll meet you at 6?"

"For the millionth fucking time—"

"Ya think?"

"This is it, then?"

"Come to my place. Now."

"She's called you. Right now."

"Oh, we're so screwed!"

"Hey."

"Don't do that."

"You've lost it. Completely lost it."

"What were you thinking?"

"I am confident that you belong in an asylum."

"I think you should get some help."

"Shove it up your ass!"

"Piss on it."

"I have a list and you're the top 5."

"I'd never do that."

"I'd definitely do that."

"It does sound like something I'll say, but I didn't say it. I swear!"

"Do you have any idea how hard it is?"

(as a response to the above dialogue ^) "Not harder than me for sure." / "It's not hard. Or else you wouldn't be doing it at all."

"Maybe I just need a little alcohol."

"Smells like jealousy to me."

"Lord, please."

- ashlee

[thewriteadviceforwriters]

Villains vs. Antagonists (Guide For Writers)

Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...

Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?

First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!

An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.

A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?

Let's look at some examples to make this clearer:

In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.

In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).

In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!

Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.

Creating Antagonists:

Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.

Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.

Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.

Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.

Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.

Creating Villains:

Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?

Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.

Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.

Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.

Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.

Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!

In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.

Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.

In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).

Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.

In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.

Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.

In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.

Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.

In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.

Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.

Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:

Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.

Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.

Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.

Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.

Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.

Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.

Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.

Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.

Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?

Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.

Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.

But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.

Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.

One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.

Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?

Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.

As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.

And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.

Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.

I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.

Happy writing! 📝💖 - Rin. T

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[coffeebeanwriting]

How to Start a Story Idea

Tackling a whole 50,000+ word novel can be a lot. Here are some ways to break down the process to make it a little more digestible.

Choose, research, and enjoy your story's setting. Whether this is a fantasy realm, a lost planet, or a small suburban town, know and research where your story takes place. Think about the time period, cultural details, geography, the laws/rules, etc. This is a world where the reader will be spending hours, so make sure it's immersive.

Place your protagonist in the world and give them a story. You could have the most detailed fantasy world, but that means nothing without a story or character to explore it. Create a compelling main character and give them a story that progresses them throughout the world you created. 

Find your story's theme. A well-rounded story will revolve around a theme or central idea. Some themes include survival, love, good vs. evil, death, war, forgiveness, etc. What do you want to teach your readers or leave them with once the novel is finished? Do you want them to know that forgiveness is important? That war creates wounds only love can heal? That beauty is in the eye of the beholder? Weave these themes and lessons into your plot and story.

Create a cast. Build your protagonist friends and foes that support or challenge them on their journey. Give some of these characters their own arcs/side plots to thicken your story. There are a bunch of character types that you could add to your story such as the love interest, a mentor, an antagonist, minor characters, etc.

Divide your novel into acts. Once you know the big picture of the story you want to tell, break it up into acts. There are three main acts of a traditional story: Acts I, II, and III. Look up and consider following the Three-Act Structure to give your story a fluid motion of beginning, middle, and end.

Know your ending. The ending is the final part that your readers digest, meaning that it will likely stick with them. You don't have to fully understand how your novel will end, but having somewhat of a plan is important. This way... when you write, you're writing towards something.

Instagram: coffeebeanwriting

[lovewash3d-doll]

🎞️Character Tropes & Story Themes From The Past Inspo 🎞️

Part 1: The 1930s

………………………………………………………………………….

In both literature and film making, the 1930s opened the door for escapism, great epics, and anti-rich sentiments due to the Great Depression. Here are many classically-rooted character tropes and themes that originated from this era that YOU can incorporate into your writing! (This will be a series as my film class progresses!)

Character Tropes 🎞️

The Plucky Poor Girl (ex. Shirley Temple) = a spirited, poor girl that perseveres and pushes through with a smile

The Noble Thief (ex. Robin Hood) = a person has a secondary altruistic motive in committing crime or bad deeds and is charming and endearing for it

The Picaresque (ex. Rhett Butler from Gone with the Wind) = a jaded, dark, and flawed individual with endearing traits

The Underdog (ex. Scarlett O’Hara from Gone with the Wind) = a disadvantaged and underestimated individual who overcomes the odds

The Flawed Commoner (ex. The Cowardly Lion from the Wizard of Oz) = a “dumb” and weak coward who’s main struggle is persevering, overcoming the odds, and finding love or realizing wealth does not matter

Themes 🎞️

Taking from the Rich

Idea of finding satisfaction at home (ex. Sunrise 1927)

The wealthy are not happier or better & happiness is found in personal relationships, family, feelings, and love

Sometimes what you need is right in front of you

Overcoming odds & great tragedy

Escapism: in a distant land & far away place that is glamorous, uplifting, upbeat, & positive

I hope this helps! Reblogs are appreciated!

XOXO,

lovewashed doll 🩷🤎